Uncategorized

In the below work, Lotura XXXII, recalling the steel industry that built Bilbao’s greatness, stands as an iconic symbol sounding as a First Nations totem pole.… Read More »Lotura XXXII

Confronting the absolute objectivity of sophisticated measurements to the inherent subjectivity of human behavior translates here into a deconstruction-reconstruction process of the mapping.  At D0,… Read More »Itaperuna

The below work questions the way rurality could become integrated into urbanity, enabling to rebalance the exclusions derived from a “selective green-washing” urbanism. At D0,… Read More »La Défense

Beyond the richness of a concept with multi-faceted dimensions and the emptiness of a word used nowadays to mean anything, resilience, when applied to our… Read More »We don’t need heroes

Metro Bastille, Paris, is a series of five diptychs picturing the artificial subway design and how it produces mental gaps in our relations with others.… Read More »Metro Bastille.

This diptych questions the issues of care and vulnerability in the urban public space. It refers to our collective ability to address such issues seen… Read More »Chelsea, NYC, 24th street.

At D0, a static and balanced block of five wall pieces surrounds a blue canvas representation. On each block, lines act as graffiti recalling the… Read More »When Hollings meets Kandinsky

At D0, the center, front, and rear parts of a rusted car recall the past glorious years of the “Motor city”. The background draws on… Read More »Detroit resilience, from reporting lines to desire lines

This work addresses the issue of the relation between urban resilience and sustainability. Both concepts share the same objective for urban citizens. But when sustainability… Read More »C’est quoi potable? (What is it drinkable?)

The below work is inspired by a series of pictures taken on the site “Les grands voisins”, Paris. The word “dé-composer” (to de-compose) painted on… Read More »DE-COMPOSER