Bouncing forward.
(2023-onw.)
Addressing the meaning of urban resilience in our daily lives, this series of works challenges the misleading idea of fatalism when facing hazards. Diptychs or triptychs are inspired by the way issues related to environmental, sociological, and urbanistic dimensions are intertwined. They should be seen as unconventional narratives without any need for objective explanations, aiming for social improvements in urban spaces.
Hanging by a thread.
(2022-onw.)
Reflecting the intersection between identified and unidentified realms, “Hanging by a thread” is built around a scenario in which an initial image becomes progressively darker over time, with photographs linked to each other by a hemp thread that simultaneously conveys permanence and fragility.
Hanging over disasters.
(2023)
The series “Hanging over disasters” presents various triptychs of installations with a theatrical dimension, emphasizing the need for unconventional narratives to better appraise scientific evidence. Implicit in all of the photographic works is the basic principle that disasters are not natural and are caused by societal failures.
Tipping points.
(2022)
A tipping point refers to a small change that makes a big difference in the way our society is organized, causing a major shift in our daily lives. The tipping point series presented here magnifies the tensions raised by the uncertainty of the Anthropocene through the confrontation between the original materiality of our surroundings and their projected ephemerality.
Urbanities.
(2017-2021)
How does urban resilience relate to sustainability? Can we bounce forward after a disaster when everything seems to condemn us to bounce back? Is vulnerability really the opposite of resilience? The series “Urbanities” shows two photographic stages for a given urban space where the sense of vulnerability, hazards and disasters are significant.
