At D0, two windows: one is reflecting the outside, operating beyond the frame; the other leaves to imagine the inside mapping of the world. Mullions… Read More »Connecting art, urban grid and vulnerability.
At D0, two water tanks on a brownstone building roof reflect in an urban river. The sky threatens Manhattan. Imaginary boats are ready to accost… Read More »Is NYC retreat inevitable?
Irene, Sandy, Andrea, Arthur, Bill, Bonnie, Matthew, Cindy, Jose, Maria, Philippe, Gordon, Michael. Thirteen names for thirteen cyclones during the past decade amongst a list… Read More »Is NYC retreat inevitable?
At D0, a static and balanced block of five wall pieces surrounds a blue canvas representation. On each block, lines act as graffiti recalling the… Read More »When Hollings meets Kandinsky
Identifying and managing risks is nowadays key in any strategic planning. Under the wording risk management, companies aim to control and minimize the risk level… Read More »When Hollings meets Kandinsky
At D0, the center, front, and rear parts of a rusted car recall the past glorious years of the “Motor city”. The background draws on… Read More »Detroit resilience, from reporting lines to desire lines
On July 18th, 2013, the City of Detroit made U.S. history with the largest municipal bankruptcy in the country to date. “There is no roadmap… Read More »Detroit resilience, from reporting lines to desire lines
At D0, the half burnt man-tree destiny seems to be inexorably linked to his destroyed environment. The overall perspective raises the question of any possible… Read More »Do cities learn from getting burned?
A wildfire is an uncontrolled fire impacting a bush area. But as shown by the Australian tragedy, this definition could well be applied to urban… Read More »Do cities learn from getting burned?
The below work is inspired from the “Drawn Stones” of artist Goldsworthy, located at the entrance of the de Young museum, San Francisco.The original cracks… Read More »Feeling Sorry for SF.