Category: Photographic works (*)

The below works make use of a well-known argentic paper property: to darken when exposed to light. It shows two photographic stages for a given urban space impacted by a hazard occurrence. The first stage (D0) is the initial picture illustrating the hazard. The second stage (D+) is produced from the silver paper pre-cut in the dark room. Some parts will be chemically treated with fixing or developer agents at given dilution and time. Others will be left untreated. The different parts will be reassembled in the dark room before being printed and exposed to daylight during x days. All this will result in the D+ picture. The way darkness develops in time for certain parts of D + will highlight the challenges raised by the urban space resilience level in comparison with D0.
The paper darkness development is technically complex as it depends on the brightness, the UV index and the refraction angle of the light on the paper. This multi-parameters process recalls that hazards affecting an urban space cannot always be predictable. In my work, light symbolizes the hazard.
When I think that the darkness level is appropriate, the daylight exposure is stopped, but the concept of my work is that D+ cannot be stable. Some parts will still darken in time, making each work a unique piece. This recalls also that the stability of an urban space, though resilient, should never be taken as granted.

(*) inkjet printing, argentic paper grade: Ilford MGRC Deluxe Pearl, 21 x 29,7 cm/ 8,25×11,75 in

Metro Bastille

Metro Bastille, Paris, is a series of five diptychs picturing the artificial subway design and how it produces mental gaps in our relations with others. D0 shows the “Bastille” station photographed during the Covid pandemic. To the empty corridors, distorted shapes and silhouettes of subway passengers photographed before the pandemic have been added. They are […]

Chelsea, NYC, 24th street.

This diptych questions the issues of care and vulnerability in the urban public space. It refers to our collective ability to address such issues seen in the context of our urban space’s perception and our capacity to interact. D0 represents 14 persons obviously insensitive to the needs of a sleeping young man, homeless. In the […]

Feeling Sorry for SF.

The below work is inspired from the “Drawn Stones” of artist Goldsworthy, located at the entrance of the de Young museum, San Francisco.The original cracks aiming to recall the tectonic topography of the area gain here a dramatic perspective. Goldsworthy “Drawn Stones” are echoing Clinton Park boulders, with a dead or alive homeless of the […]

Venice: the failure of resilience

The below series of photographs have been taken in Venice in April 2019. The first two underscore a self-delusion leading nowhere. Moving from D0 to D+, deluding pedestrian walkways overshadow the urban environment. In the following series, the pictorial transition witnesses the dramatic disappearance of Venice. Symbolizing the legacy of Venetian history, gondolas vanish, while […]

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