At D0, the half burnt man-tree destiny seems to be inexorably linked to his destroyed environment. The overall perspective raises the question of any possible resilient future. The dusky tonalities of D+ add to the apocalyptic feeling of the scene, but in the same time, the man-tree can be seen as a phoenix rising back […]
Category: Photographic works
The below works make use of a well-known argentic paper property: to darken when exposed to light. It shows two photographic stages for a given urban space impacted by a hazard occurrence. The first stage (D0) is the initial picture illustrating the hazard. The second stage (D+) is produced from the silver paper pre-cut in the dark room. Some parts will be chemically treated with fixing or developer agents at given dilution and time. Others will be left untreated. The different parts will be reassembled in the dark room before being printed and exposed to daylight during x days. All this will result in the D+ picture. The way darkness develops in time for certain parts of D + will highlight the challenges raised by the urban space resilience level in comparison with D0.
The paper darkness development is technically complex as it depends on the brightness, the UV index and the refraction angle of the light on the paper. This multi-parameters process recalls that hazards affecting an urban space cannot always be predictable. In my work, light symbolizes the hazard.
When I think that the darkness level is appropriate, the daylight exposure is stopped, but the concept of my work is that D+ cannot be stable and some parts may still darken in time. This recalls that the stability of an urban space, though resilient, should never be taken as granted.
(argentic paper grade: Ilford MGIV RC Luxe Pearl, 17,8 x 24 cm/ 7×9,5 in)
The below work is inspired from the “Drawn Stones” of artist Goldsworthy, located at the entrance of the de Young museum. The original cracks aiming to recall the tectonic topography of the area gain here a dramatic perspective. Goldsworthy “Drawn Stones” are echoing Clinton Park boulders, with a dead or alive homeless of the foreground […]
In the below work, the symbolic meaning of the place takes shape through a young girl drawing a sculpture of Korean artist Lim Dong-Mak. Point Growth, speaks of a nature balanced between strength and fragility, a metaphoric narrative introducing the role of greening in cities. The young girl drawing leads to question how art may […]
The below series of photographs have been taken in Venice in April 2019. The first two underscore a self-delusion leading nowhere. Moving from D0 to D+, deluding pedestrian walkways overshadow the urban environment. In the following series, the pictorial transition witnesses the dramatic disappearance of Venice. Symbolizing the legacy of Venetian history, gondolas vanish, while […]
This work addresses the issue of the relation between urban resilience and sustainability. Both concepts share the same objective for urban citizens. But when sustainability aims for efficiency, resilience aims for redundancy and never excludes the possibility of challenging fundamentals. At D0, Manhattan water towers are reflected on a brown house wall showing a lion […]
The below work is inspired by a series of pictures taken on the site “Les grands voisins”, Paris. The word “dé-composer” (to de-compose) painted on the wall relates indirectly to the questionable opposition between resilience and vulnerability. A silhouette recalls Levinas’ concept of alterity. A blue canvas curiously hanging, brings us back to the Sudanese […]
This photographic montage underlines the critical contribution of local decision makers to enhance urban resilience in favor of communities lacking the cultural capital, as defined by Bourdieu, which could possibly help to cope with hazards such as flooding. At D0, the floods do not prevent a community to keep on with their daily occupations while […]
Can urban resilience be implemented in case of widespread destructions? At D0, two iconic symbols, a Le Corbusier building and the Golden Gate bridge are willing to withstand the unavoidable earthquake aftershocks. At D+, the landscape disappears; only the broken glass path remains, referring to our fears and fragility. More to read here (*) Showcased […]
At D0, three plans in opposition: in the background, a geometrical structure inspired by the work of F. Morellet, symbolizing the urban grid; on the forefront, a work in progress or an old facade; in-between, a Haussmannian building, renowned for its resilient features, imposing its steady foundation. At D+, everything fades out around the building […]
In this work, the great wave of Hokusaï should be understood for its symbolic meaning, calling for an almighty nature that no one can stop and to an absolute sense of ephemerality. At D0, the city and its inhabitants are in a state of unstable balance, between the strength of the wave and the urban […]