Category: Photographic works (*)

The below works make use of a well-known argentic paper property: to darken when exposed to light. It shows two photographic stages for a given urban space impacted by a hazard occurrence. The first stage (D0) is the initial picture illustrating the hazard. The second stage (D+) is produced from the silver paper pre-cut in the dark room. Some parts will be chemically treated with fixing or developer agents at given dilution and time. Others will be left untreated. The different parts will be reassembled in the dark room before being printed and exposed to daylight during x days. All this will result in the D+ picture. The way darkness develops in time for certain parts of D + will highlight the challenges raised by the urban space resilience level in comparison with D0.
The paper darkness development is technically complex as it depends on the brightness, the UV index and the refraction angle of the light on the paper. This multi-parameters process recalls that hazards affecting an urban space cannot always be predictable. In my work, light symbolizes the hazard.
When I think that the darkness level is appropriate, the daylight exposure is stopped, but the concept of my work is that D+ cannot be stable. Some parts will still darken in time, making each work a unique piece. This recalls also that the stability of an urban space, though resilient, should never be taken as granted.

(*) inkjet printing, argentic paper grade: Ilford MGRC Deluxe Pearl, 21 x 29,7 cm/ 8,25×11,75 in

Exploring spirituality in the urban frame

The sense of belonging, social connectedness and transcendental aspirations may coalesce in a holistic relationship between people and their built environment. Intertwining nature and spirituality may pave the way to sustainable thinking. But dealing with uncertainty and complexity requires not only a capacity to adapt but also to transform. To build successfully such transformative process, […]

We don’t need heroes

Beyond the richness of a concept with multi-faceted dimensions and the emptiness of a word used nowadays to mean anything, resilience, when applied to our daily lives, questions the balance between individual acts and collective responsibility. The below work shows the inside room of an Ellis Island dwelling. At D0, windows have been covered with wooden […]

Impairment

The below photographic work (*) is the outcome of a stay in Vienna, Austria. At D0, Culture, contaminated by the Covid, is represented by three statues of the Karl-Marx-Hof, “Körperkultur”, “Befreiung” and “Aufklärung”, wearing face masks and standing in front of a homeless, as among the most vulnerable of us. All of them are enchained […]

Droughts

Inspired by South African and French artists, William Kentridge and Anne Kolin, the below work speaks about our consumer-capitalistic society and disconnected behaviors, infringing basic human rights. It echoes what sociologist Bauman called the passage from “solid” to “liquid” modernity (10), suggesting an ever evolving society where sustainability and social constructions are undermined. The metaphoric […]

Metro Bastille

Metro Bastille, Paris, is a series of five diptychs picturing the artificial subway design and how it produces mental gaps in our relations with others. D0 shows the “Bastille” station photographed during the Covid pandemic. To the empty corridors, distorted shapes and silhouettes of subway passengers photographed before the pandemic have been added. They are […]

Chelsea, NYC, 24th street.

This diptych questions the issues of care and vulnerability in the urban public space. It refers to our collective ability to address such issues seen in the context of our urban space’s perception and our capacity to interact. D0 represents 14 persons obviously insensitive to the needs of a sleeping young man, homeless. In the […]

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